App Profile: Sqsl Nashville
Android / Games / Puzzles
sqsl Nashville
Installs:
Rating:
0.00
Total Reviews:
0
Top Countries:
US, GB, CA
< $5k
/mo
< 5k
/mo
Reviews: What People Think About sqsl Nashville
Obis11
Rating: 5/5
So I want to say, this is the first app I have bought from this developer because it’s the first I have found that works on both iPhone and iPad. I would absolutely buy other music apps from this developer if they had iPhone support also. I have not tried Nash on on Mac yet, but I’m excited to try. I do a vast majority of my music on my iPhone. Usually only doing cleanup and mastering on my Mac. Anyway, I like the concept of this app. It forces me to play and not compose. It’s more of a listening tool than a composing tool. It’s really easy to use and once I have setup a key signature, it’s really easy to play. The main problem I have with the app, is the lack of memory. It’s really easy to accidentally erase what you are working on. Once the jam has been erased, there is no way to get it back, that I have found anyway. So I would suggest anyone using this app to record what you are playing with another app like atom. Lack of au3 doesn’t bother me with this app. I would of course like au3 support. If there was au3 support, even if you don’t have presets or memory in Nash, you could save the state in AUM. Overall I do really like this app. I has forced me to try some different things. I mainly have been using it for ambient sounds, but I think it would be nice for other type of music also. I have no problems recommending it, if you are ok with the lack of au3 and preset/memory system.
About sqsl Nashville
sqsl Nashville is a MIDI controller/tool for exploring harmonies, modes, and chord progressions within heptatonic scales.
Concept
When we press a key on a traditional MIDI keyboard/piano, we are saying: "play a specific note (pitch/frequency)". When we press a "key" in the Nashville app, we are saying "play a chord shape from this degree of the currently selected scale". The played chord shape is defined as a set of degree offset(s) from the played degree.
Examples
1/ If the scale is set to C Major and the chord shape is set to be 3 notes (1, 3, 5), playing keys 1 to 7 would result in C Major's triads (CEG, DFA, EGB, FAC, GBD, ACE, BDF).
2/ If the scale is set to C Major and the chord shape is set to be a single note (1), playing keys 1 to 7 would simply play the 7 notes of the C Major scale (CDEFGAB).
3/ If the scale is set to C Major and the chord shape is set to be a single note (2), playing keys 1 to 7 would play the notes of the C Major scale but shifted by one degree (DEFGABC).
Setting the scale
Scales in Nashville are set using 3 parameters:
- Scale pattern: semitone distance (interval) pattern
- Mode: rotation of the scale pattern, defining which member of the scale pattern is used as the start point
- Root note: which absolute note (pitch) is used as the start point for the rotated scale pattern
Examples
1/ We select Diatonic as our scale pattern—meaning we want to work with the interval pattern 2-2-1-2-2-2-1 (or whole, whole, half, whole, whole, whole, half). We select the first Mode (I), which means we will not rotate the scale pattern, and we select C as the root note. We have set the scale C-D-E-F-G-A-B—usually called the C Major scale.
2/ We select Diatonic again (2-2-1-2-2-2-1) but now we select the third Mode (III)—the pattern is rotated by two steps, so we get 1-2-2-2-1-2-2. Selecting C as the root will result in this scale: C-C#-D#-F-G-G#-A#. A very different set of pitches from C Major but related, as it originates from the same scale pattern.
Usage (example)
- Trigger notes/degrees in the PLAY section, capture them in a loop (REC), and modify the pattern, root, mode, and chord shape to explore variations.
- Looped data can evolve – timing and degrees are randomly recombined at the end of each loop, and the chord shape can also be selected randomly.
Using with MIDI keyboard
- White keys always trigger degrees of currently selected scale (chord shapes are ignored)
- Black keys are used to change the scale on the fly
- Press C# and following key will set Root
- Press D# and following black key will set Scale Pattern
- Press D# and following white key will set Mode
- F#, G#, A# keys are used as 3 positions where 3 scales can be stored and recalled (long press = store, short press = recall)
Notes
- Settings and loops are saved automatically but there is no preset system
- App runs in the background
- Only standalone (no AUv3 support)
- Does not produce any sound of its own (only MIDI notes)
- More details at https://www.seqsual.com
Concept
When we press a key on a traditional MIDI keyboard/piano, we are saying: "play a specific note (pitch/frequency)". When we press a "key" in the Nashville app, we are saying "play a chord shape from this degree of the currently selected scale". The played chord shape is defined as a set of degree offset(s) from the played degree.
Examples
1/ If the scale is set to C Major and the chord shape is set to be 3 notes (1, 3, 5), playing keys 1 to 7 would result in C Major's triads (CEG, DFA, EGB, FAC, GBD, ACE, BDF).
2/ If the scale is set to C Major and the chord shape is set to be a single note (1), playing keys 1 to 7 would simply play the 7 notes of the C Major scale (CDEFGAB).
3/ If the scale is set to C Major and the chord shape is set to be a single note (2), playing keys 1 to 7 would play the notes of the C Major scale but shifted by one degree (DEFGABC).
Setting the scale
Scales in Nashville are set using 3 parameters:
- Scale pattern: semitone distance (interval) pattern
- Mode: rotation of the scale pattern, defining which member of the scale pattern is used as the start point
- Root note: which absolute note (pitch) is used as the start point for the rotated scale pattern
Examples
1/ We select Diatonic as our scale pattern—meaning we want to work with the interval pattern 2-2-1-2-2-2-1 (or whole, whole, half, whole, whole, whole, half). We select the first Mode (I), which means we will not rotate the scale pattern, and we select C as the root note. We have set the scale C-D-E-F-G-A-B—usually called the C Major scale.
2/ We select Diatonic again (2-2-1-2-2-2-1) but now we select the third Mode (III)—the pattern is rotated by two steps, so we get 1-2-2-2-1-2-2. Selecting C as the root will result in this scale: C-C#-D#-F-G-G#-A#. A very different set of pitches from C Major but related, as it originates from the same scale pattern.
Usage (example)
- Trigger notes/degrees in the PLAY section, capture them in a loop (REC), and modify the pattern, root, mode, and chord shape to explore variations.
- Looped data can evolve – timing and degrees are randomly recombined at the end of each loop, and the chord shape can also be selected randomly.
Using with MIDI keyboard
- White keys always trigger degrees of currently selected scale (chord shapes are ignored)
- Black keys are used to change the scale on the fly
- Press C# and following key will set Root
- Press D# and following black key will set Scale Pattern
- Press D# and following white key will set Mode
- F#, G#, A# keys are used as 3 positions where 3 scales can be stored and recalled (long press = store, short press = recall)
Notes
- Settings and loops are saved automatically but there is no preset system
- App runs in the background
- Only standalone (no AUv3 support)
- Does not produce any sound of its own (only MIDI notes)
- More details at https://www.seqsual.com
File size: 5082112
Launched countries: USAUCACNFRDEGBITJPKRDZAOARATAZBHBYBEBRBGCLCOCRHRCYCZDKDOECEGSVGHGRGTHKHUINIDIEILKZKEKWLBLTLUMOMYMTMXNLNZNGNOOMPKPAPEPHPLPTQAROSARSSGSKSIZAESLKSECHTWTHTNTRUAAEUYUZVEVNBOKHEELVNIPYGEIQLYMAMZMMYEBJBFCMCGCIJOLAMLSNTZUGZMZW
Minimum OS version: 16.6
Release Date: 1757355550000
Published by Michal Macura
Website url: https://www.seqsual.com/nashville
Publisher country: